Today is the reveal for the cover of Glitch: Whispers in the Code!
There’s several things that coincide with its release (new newsletter specifically for the Distant Horizon universe, updating the cover for Distant Horizon, and the new website for the Distant Horizon universe), so I’m trying to get everything organized. We’ve finished the read-aloud for Whispers in the Code, so all that’s left is formatting. Yay!
In the meantime, I’m proud to present the cover for the first book of the Glitch saga.
Upper YA/NA Sci-Fi with Horror Elements
A haunted airship made from living people…
Nineteen-year-old hacker Tim Zaytsev is a traitor, but he never expected his betrayal would earn him the highest honor among the international community—a place among the Camaraderie’s elite council.
Ushered into a glamorous lifestyle of fancy airships and a chance to use his programming skills to better the world, Tim is assigned the task of finishing their secret Legion Spore project—a living airship made from shapeshifters.
Inside the Legion Spore, dozens of humans have been forcibly hooked to the vessel’s computer, but fragments of their memories reside in the airship’s internal code as glitches. Their faces appear in the walls, and their whispers invade the code of the Camaraderie’s base. Tim’s ability to telepathically connect with computers means that he’s the only one who can make the ship fully functional.
But programming a computer is one thing. Dealing with a haunted, living airship will not only test Tim’s wit, but his sanity. If he can’t learn to trust himself and his abilities, his mind will be trapped in the Legion Spore as just another whisper in the code.
I don’t have store links yet, but in the meantime you can add it to your Goodreads shelf. 🙂
I hope you enjoyed this post! Stay tuned for updates about the release date and upcoming newsletter. 😀
Another Distant Horizon based picture. It’s been a while since I’ve done any sort of coloring of sketched art. So, to explain this, I started out by sketching the image with a pencil, then went and did a basic lining of that with a pen. Afterwards, I did some shading work with the pen, then erased the extraneous pencil marks. Once that was done, I photographed the image flat with a flash on my camera and pulled it into photoshop. Did the threshold adjustment to convert it to black and white.
Then I started layering and using clipping modes combined with blending modes and masking to apply textures and coloration. The textures were mostly pulled from pictures I took on a walk downtown earlier in the day. Once that was complete, added the sections around the tank, and blurred the edge a little to give it that dreamlike quality.
Overall I’m pretty happy with this. Granted, it’s not the best, by any means, but since I was experimenting with the technique, I’m not going to complain. And I’m thrilled with how the hand came out. I think it actually looks semi-realistic and pressed to the glass. Yay!
So… now that you know how it’s made, a quick explanation of the picture itself. It’s a scene… rather a couple scenes, in which the main character of my novel I’m working on is caught in a telepathic attack. And she’s imagining she’s in a beastie tank… which turns people into monsters. Long story short. But that memory attack plays back into the story more than once, so I wanted to have a shot at creating an image of the tank.
Anyways, that’s all for now. Done on my laptop with Photoshop CS4 and bridge. And a mouse.